The joy of running off-leash

Summer and I have begun taking walks through our land of late. For now I have to keep her leashed, but I try to let her lead the way for the most part. 

We may wander near our wildflowers, up and down the septic mound, or as we did Wednesday morning, through the woods. Summer was most intrigued by an old plastic Adirondack-style chair, which we used to sit in, but is now well on its way to being more or less reclaimed by Ma Nature.

Dean Wesley Smith wrote the other day about walking through a mall and seeing a couple of toddlers delighting in the exploration of it all, with their mothers watching carefully but smiling at their kids’ fun. One ran over and lovingly petted a stone elephant. Smith used it as a metaphor for the creative process.

The kids are the creative voice, having fun running this way and that and finding new ways to love life in every corner, and the moms are the critical voice, keeping a watchful eye out that the kids don’t get in trouble but, for today, letting them run and play.

“So next time you sit down at your writing computer, just let the creative voice run and play and pet the stone elephants. You might be surprised at how much fun you have writing and how good what you write turns out to be (if you leave it alone.)”

Perhaps Summer is her own metaphor for the creative process. 

As she and I amble through the woods, Summer sometimes wants to run like the wind and I have to hold the leash with both hands. Sometimes she stops to sniff an old tree or nibble on some grass a little too long, and I give her a little tug. She may willingly yield and come along with me, or she may stand her ground and keep sniffling.

I look forward to the day when, like her beloved predecessor, I can just step outside with Summer and she will run and play and sniff and chase off-leash, because I can trust her to come back to me when I call her. 

There is a feeling here that the day I let my creative juices off the leash is when the real magic will start happening. But, to extend the metaphor, before you can fly and be free you must first learn how to fly. Summer must learn how to stay in the yard before she can be free to run around the yard. 

They say the great improvisational musicians know their instruments and the music so well that they can soar off the written page and create something new and inventive on the spur of a moment. If I want to write something that perhaps breaks the rules and takes the reader to a whole new place, I first need to know what the rules are and master working within those rules.

Those kids and Summer (the creative voice) will someday run and play without Mom or the leash (the critical voice) needing to hold them back. And what a day that will be.

A girl named Guinevere

Guinevere Prudence Thompson hated her name. Hated it. Never mind that she was named after an Arthurian queen and a Beatles song. 

“Call me G.P.,” she insisted.

“Jeep?” asked her incredulous mother the first time.

“No! G.P.”

“OK, Jeep,” Mom grinned.

She told her friends just to call her G.P., too, but it wasn’t long until — just like Mom and the military’s “general purpose (G.P.) vehicles” before her — everyone just shortened it Jeep. And that kind of grew on her. Eventually.

Blaine was her best friend. Blaine was a vampire, although vampires on Jeep’s Earth are not like the vampires on ours. Blaine was nothing if not droll. He had a droll smile, a droll sense of humor, a droll attitude about life. Only one word could perfectly describe Blaine: He was droll.

And Guinevere Prudence Thompson a.k.a. Jeep?

She saved the worlds. She saved them from a threat so serious it can’t be contained in a single book. It’s still a mystery how many books the saga will need, but rest assured the story will be told, because a story like this cries and screams in the night to be told, and told it shall be.

Sometimes telling the story is hard and the words trickle out. Sometimes there is a flood. Sometimes the author giggles uncontrollably and says, “I can’t wait until this story is out there.” Sometimes the author moans in frustration and says, “I can’t wait until this story is out there.” And out there it shall be.

Because Jeep Thompson saved the worlds. And that story must be told. And so it shall be.

3/25,757

Desert Island Albums

I’m trapped on a desert island with only a turntable — and presumably a way to generate electricity — and a certain number of record albums, let’s say 25.

In no particular order, as the boat with all my records is sinking, I grab:

Uncle Charlie and His Dog Teddy, The Nitty Gritty Dirt Band

Will the Circle Be Unbroken, The Nitty Gritty Dirt Band and friends

Lil Beethoven, Sparks

Wildflowers, Tom Petty

Unchained, Johnny Cash

Thick As A Brick, Jethro Tull

Songs From the Wood, Jethro Tull

Led Zeppelin IV

On the Threshold of a Dream, The Moody Blues

Black Cadillac, Roseanne Cash

John B. Sebastian

Love and Theft, Bob Dylan

Judee Sill

Heart Food, Judee Sill

Ladies of the Canyon, Joni Mitchell

Blue, Joni Mitchell

Live at the Pershing, The Ahmad Jamal Trio

Born to Run, Bruce Springsteen

Lucky Town, Bruce Springsteen

Mirror Ball, Neil Young

Cracked Rear View, Hootie and the Blowfish

Tapestry, Carole King

Conversations, Sara Groves

Heart in Motion, Amy Grant

Crimson and Blue, Phil Keaggy

That’s 25? Wait, look at all that’s sinking under the waves — I forgot The Beatles, The Beach Boys, The Bee Gees, Bachman Turner Overdrive, Rolling Stones, Kinks, The Who, Buffalo Springfield, CSNY, John Kongos, Simon and Garfunkel, Rodney Crowell, Van Morrison, Tommy James, The Monkees, Jason Mraz, oh dear oh dear oh dear …

Can I have a do-over? Can I grab 50 albums instead of 25? I’m sure if I try this same exercise tomorrow, I will have many repeats, but you have to know I’ll include Sgt. Pepper and SMiLE and Pet Sounds and Bridge Over Troubled Water.

So much music to love, so little time, and humans keep making more music every day. How do we find the time and energy to hate each other? More important, why?

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