
I have set up my stereo set in the living room like my father did. On Saturday mornings Dad would celebrate the beginning of his weekend by cranking up big band music, sometimes before his three boys had crawled out of their beds. Believe it or not, it is a fond memory.
This Saturday morning, while I fiddled on my laptop, I put Artie Shaw on the turntable, specifically The Complete Artie Shaw, Volume IV: 1940-1941, a two-record set from Bluebird Records.
I think my dad was aghast when I confessed one day that I thought Shaw was better than Benny Goodman, whose music I heard on many a Saturday morning growing up. I am no judge of which man was better on the clarinet, but I thought Shaw was more adventurous, as when he incorporated harpsichord on Gramercy Five recordings like “Cross Your Heart,” the first track on this album.
This particular album covers studio sessions in chronological order from September 1940 to March 1941. I found myself once again marveling at the technology that enables me to time-travel and listen in on performances from more than 85 years ago.
The set includes Shaw’s version of “Moonglow,” the song that was playing when Dad proposed to the girl who would become my mother a few years later. I’m pretty sure they were listening to Benny’s take on the song.
It was a very long time before I discovered that “Moonglow” actually has lyrics, as none of the versions I’d ever heard included singers. “It must have been moon glow that led me straight to you … I still hear you saying, ‘Dear one, hold me fast,’ and I start in praying, Dear Lord, please let this last.” That’s an appropriate song for a marriage proposal.
I have no special message to share today, other than life is better with music, Artie Shaw was a remarkable talent, I’m glad I kept my records, and my parents were always a cute couple. That’s probably enough.


