
On a desolate island somewhere in the Pacific, a lone figure sits on the beach watching the waves undulate to, it seems, infinity. Is this the beginning of the story, the satisfying conclusion, or somewhere in the middle? Does she want to be in this desolate place, or is she lost — banished, or abandoned, or washed ashore after some catastrophe? Is her goal to be rescued, or is she content on this beach? Will welcome a rescuer with open arms, or resist? Or perhaps her predicament is not being sure if staying or going is the right course of action.
Some days, being stranded in a far-off place sounds like salvation from the buzz of stimulation overload — one yearns to sit somewhere and watch the waves, relieved of the hectic pace. Some days, the last thing you want is to be left alone.
Where am I going with this? What conclusions do I draw? Probably nothing more than recognizing we don’t know the whys and wherefores of the scenes we encounter moment to moment. It doesn’t hurt to ask, “Can I help?”
“‘Let me help.’ A hundred years or so from now, a great novelist will say those three words are the most important one can say to another, even more important than ‘I love you.’”
There I go, quoting fiction again. (Star Trek, “The City on the Edge of Forever.”) It’s amazing how much truth can be drawn from make-believe stories.






