
I am just a little bit older than Godzilla. I was a year and a half old when Gojira was released Nov. 3, 1954. Late this afternoon, I plan to sit down in a comfortable chair and watch the first local showing of the latest film in the series, Godzilla Minus Zero, the sequel to Godzilla Minus One, the first in the 72-year franchise that moved me to tears.
Three years ago I was electrified by the story as I watched it up on the big screen. I walked out of the theater dazed, struck by lightning. It was the most important Godzilla movie since the first one as director Takashi Yamazaki dragged the franchise back to its serious and horrific roots.
The early spoiler-free reviews suggest that the new film may be even better, continuing the big themes that separated Minus One from almost everything that came before.
That 2023 film wasn’t only about a giant monster stomping on buildings, although it did win an Oscar for those special effects. The film was about recovering from war, overcoming shame and devastation, everyday humans rallying against a daunting adversary, building family, building friendships, and of course, “Those of us who survived the war are meant to live.”
Yamazaki leaned into the idea of Godzilla as a metaphor for the nuclear bomb and made a profoundly anti-war film, and that theme above all lifted his movie above the rest of the Godzilla canon, standing beside only the original 1954 entry.
Humanity will advance when it overcomes its monsters and beats its swords into plowshares once and for all. It could be that the monsters will plague us to the end of time with countless sequels, but we do have hope. The ghosts of Hiroshima and Nagasaki have kept that monster at bay for 81 years, and may it always be simply a metaphor played out with CGI effects and not actual blood and gore, never unleashed into reality again.
We have a responsibility to live, to overcome the challenges and make a difference. Godzilla Minus One made a difference; I’m hoping that Yamazaki’s lightning has struck a second time.


