3 immortal pocket symphonies

I like the phrase “pocket symphony.” I first heard it used to describe “Good Vibrations,” a three-and-a-half-minute composition that takes the listener for an amazing ride, not unlike the effect of a full symphony, in a very short time.

But the piece that, to me, best exemplifies the phrase “pocket symphony” is “Frenesi” by Artie Shaw.

Or maybe “Powerhouse” by Raymond Scott.

There is probably a way to describe with words exactly what a pocket symphony is.

But the best way. If you have 10 minutes to spare, is to listen to them.

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