
“I wonder,” he wrote in his journal, “if deep down inside I get overwhelmed by some sense of irrelevance and a feeling of “oh, what’s the use” when I sit down to do creative work.”
“Now you’re getting there,” his inner self spat. “What is this delusion that grips you, man, that you want to be remembered in literary or musical circles? You are not Nathaniel Hawthorne. You are not Charles Dickens. You are but a whisper of Ray Bradbury, and only because you try so simperingly to imitate him. And you are neither Dylan nor Simon nor — What?! did I just hear you think the name ‘Jagger,’ you quiet little toad? Where did that come from?”
“Well, thank you so much for the vote of confidence,” he told his self. “I just want to be remembered. I want to leave some evidence that I passed through this plane of existence.”
“You will leave evidence, all right,” his self sneered back — “a house full of junk collecting dust — books and records and DVDs and papers willy-nilly and ad infinitum. It will take forever to sort through it all, or an hour or two to shovel it all into dumpsters.”
“Oh, please, don’t discard it,” he pleaded. “Some of it may be valuable.”
“You know, you’re probably right, some of it should be preserved and archived,” conceded his self. “A pity you couldn’t bother when you were alive.”
“Why are we talking in the past tense?” he said. “I’m still alive and able to do that.”
“Well, get on with it, then.”
He looked around the room and saw a pile of 30 or 40 CDs, a pile of books, and miscellaneous knickknacks that may or may not have been collectibles.
“Can I start in the morning?” he asked his inner self. “I should get some sleep.”
“Sure,” replied his self, “although I’ve heard that before, most nights for a decade or two.”
He grabbed the CDs, alphabetized them and brought them to the CD shelf in the basement. Then he went to bed.


