
My meanderings over the internet led me to a YouTube video called “An Evening with Ray Bradbury,” a 2001 keynote speech to a writer’s symposium at Point Loma Nazarene University in San Diego. I had already spent too much time meandering and couldn’t afford to lose another 54 minutes, but I couldn’t resist a taste.
The first bit of advice he gave to a roomful of creative writers in those first five minutes was a good one and one I had heard from him before: Don’t write novels yet. Start with short stories — aim for writing one a week. That way you get 52 small victories, whereas after toiling over a novel for a year you may have nothing finished and no victories, and what if it’s not any good? At least one or more of the short stories is bound to be pretty good, Bradbury said, defying anyone to write 52 bad short stories. “Can’t be done,” he said.
At that point I stopped the recording for now, but I was reminded of an approach I’m sure I’ve written down before, but I’d forgotten or neglected it.
For a writer who’s stalled halfway through a novel, rather than scrapping it all and starting a short-story routine as Bradbury recommended, why not stop worrying about finishing the novel and instead write the next chapter as if it were a short story? Each chapter in a book needs to follow the rules of a short story anyway.
Instead of having 25 or 27 chapters of an unfinished novel, now you’ve successfully written 25-27 short stories following the adventures of a certain set of characters. When you sit down with those characters again, now you’re writing the next installment in an ongoing series of short stories, which sounds less daunting than sitting down to try to finish the long-delayed big project.
I’m definitely going to save the link to that talk, however, to see what gems I can glean from the next 49 minutes. Or maybe I’ll just drop it here, for you, so I can find it easily again:


